Title: Labyrinth of Discovery Model: Wire and plaster on canvas Nestled on the surface of the moon, the labyrinth clasps the bedrock creating thresholds to elevated interactive spaces. Singular lines establish passageways throughout, while knots resemble interconnected rest spaces for gathering and observation. Image Edited By Sideqa Haqani
Title: Labyrinth of Discovery Model: Wire and plaster on canvas Nestled on the surface of the moon, the labyrinth clasps the bedrock creating thresholds to elevated interactive spaces. Singular lines establish passageways throughout, while knots resemble interconnected rest spaces for gathering and observation. Image Edited By Sideqa Haqani
Title: Labyrinth of Discovery Model: Wire and plaster on canvas Nestled on the surface of the moon, the labyrinth clasps the bedrock creating thresholds to elevated interactive spaces. Singular lines establish passageways throughout, while knots resemble interconnected rest spaces for gathering and observation. Image Edited By Sideqa Haqani
ASAU OTTAWA
Exercise 10
A 111 STICKS drawing
Without pre-conceived ideas of architecture and blurring the distinction between drawing and model a labyrinth-like space for the body is created out of 111 lines of various lengths, and geometry, using one material with consistent thickness, with the use of at least three line-weights, determined by the thickness of the material used (pasta, string, metal wire, paper, balsa, straws, wood sticks, starched threads, etc.). Only one material is used to design a threshold, a passage, and a gathering space. The maximum footprint area of the site-specific labyrinth model is 8x10 inches.
Evans, Robin. Translations from Drawing to Building and Other Essays. The MIT Press 1997
Calvino, Italo. 1972. Invisible Cities. Giulio Einaudi Editore.